81 Days With Oscar And Me

Every Academy Award-Winning Movie, Back to Back, Starting With the First

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Entries Tagged as 'Sex'

Departed, The

November 6th, 2009 · No Comments · 2006, Adaptation, C-Word, Color, Composer: Howard Shore, Departed, Drama, F-Word, Jack Nicholson, Martin Scorsese, N-Word, Nudity, Sex, Warner Bros. Pictures

Few movies are as violent, foul-mouthed, and bloody as The Departed.
I can’t help but wonder what audiences in, say, 1939 would have thought of The Departed had this film been inserted into the projector instead of Gone With the Wind. I dare say every last one of them would have run, screaming, out of [...]

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Crash

November 5th, 2009 · 1 Comment · 2005, Color, Crash, Drama, F-Word, Lions Gate Films, N-Word, Nudity, Original Screenplay, Paul Haggis, Racism, Sex

I honestly thought Paul Haggis was a better writer than this. After all, it was his script – a first draft no less! – that became Million Dollar Baby, the Oscar-winner a year before the release of Crash.
According his entry on Wiki, “Paul Haggis is the award-winning filmmaker who, in 2006, became the first [...]

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American Beauty

October 30th, 2009 · No Comments · 1999, Allison Janney, American Beauty, Color, Drama, Dreamworks Pictures, Drug Use, Homosexuality, Kevin Spacey, Mid-Point, Original Screenplay, Plot Point I, Plot Point II, Screenplay Structure, Sex, Swearing

I love movies that start at the end.
Like Sunset Boulevard, and Memento (sort of – who can tell where that one starts?), and Gandhi, and The English Patient, and Citizen Kane, and, well, you get the idea.
When a movie starts at the end, the audience knows more than the characters in the movie do. [...]

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Shakespeare in Love

October 29th, 2009 · No Comments · 1998, Ben Affleck, Christopher Marlowe, Colin Firth, Comedy, Gwyneth Paltrow, Joseph Fiennes, Mid-Point, Miramax, Nudity, Original Screenplay, Plot Point I, Plot Point II, Romeo and Juliet, Screenplay Structure, Sex, Shakespeare in Love, Stuttering, Swearing, Tom Wilkinson

“Can a play show us the very truth and nature of love?” is a question posed by Queen Elizabeth to Viola De Lesseps.
I have a question of my own to pose: “Can a movie show us what perfect screenwriting looks like?”
Yes, it can – if that movie is Shakespeare in Love.
Shakespeare in Love is brilliant.
Brilliant.
Brilliant.
Once [...]

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Titanic

October 28th, 2009 · No Comments · 1997, Bernard Hill, Celine Dion, Color, Composer: James Horner, Drama, James Cameron, James Horner, Kate Winslet, Nudity, Original Screenplay, Sex, THX, Tearjerker, Titanic, Twentieth Century-Fox Film Corporation

Most of the movies in the 1990s have something in common: they’re tearjerkers.
Epic tearjerkers at that.
Dances With Wolves is emotional. Schindler’s List is emotional. Forrest Gump is emotional. Braveheart is emotional. The English Patient is boring, but emotional.
And then there’s Titanic…
Ah, Titanic. It jerks enough tears to fill the Atlantic Ocean, where the real [...]

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English Patient, The

October 27th, 2009 · No Comments · 1996, Adaptation, Color, Drama, English Patient, Kristin Scott Thomas, Michael Ondaatje, Miramax, Naveen Andrews, Nudity, Ralph Fiennes, Sex, War, Willem Dafoe

Once again, I must turn to Seinfeld to help set the tone for my blog entry. This time, it’s Season 8, Episode 17: “The English Patient.”
Mr. Peterman and Elaine are in a theater watching the movie The English Patient. Peterman stares, enraptured, at the screen. Elaine is totally frantic with boredom.
PETERMAN: Elaine, I hope [...]

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Schindler’s List

October 24th, 2009 · No Comments · 1993, Adaptation, Black and White, Drama, F-Word, Nationalization, Nazi Socialist Germany, Oskar Schindler, Schindler's List, Seinfeld, Sex, Smoking, Steven Spielberg, Universal Pictures

In my mind, Schindler’s List will forever be associated with the two-part episode of Seinfeld (Season 5, episodes 18 and 19: “The Raincoats 1 and 2″) that aired in 1994.
Jerry’s parents are staying with him while they’re visiting from Florida. Consequently, he hasn’t any privacy. And he wants time alone with his girlfriend, Rachel. [...]

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Unforgiven

October 23rd, 2009 · No Comments · 1992, C-Word, Clint Eastwood, Color, F-Word, Gene Hackman, Mid-Point, Morgan Freeman, Original Screenplay, Plot Point I, Plot Point II, Screenplay Structure, Sex, Unforgiven, Warner Bros. Pictures, Western

With a cast that includes three of my favorite actors (Clint Eastwood, Morgan Freeman, and Gene Hackman), there’s no way this movie could fail.
And it doesn’t. (WARNING: Spoilers ahead. Don’t read on unless you want to know how the movie ends.)
But how could it? All those actors, direction by Clint Eastwood, and it’s a [...]

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Rain Man

October 19th, 2009 · No Comments · 1988, Color, Drama, Dustin Hoffman, F-Word, Mid-Point, Original Screenplay, Plot Point I, Plot Point II, Rain Man, Screenplay Structure, Sex, Swearing, Tom Cruise, United Artists

I almost didn’t get to post my blog this evening. My MacBook Pro died and the Apple geniuses had no openings for me until tomorrow morning. Good thing my wife is using my old iBook G4.
Rain Man has always been one of my favorite movies. Talking like Raymond Babbitt is something my wife and [...]

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